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2017上海国际版画展外围展艺术家及作品介绍(Ⅸ)-上海国际版画展

Ⅸ上海国际版画展外围展艺术家及作品:
Resume and works of theartists in the Parallel Exhibition of ShanghaiInternational print Exhibition
本期艺术家:杨修林、庾武锋、sujin shin、吴杰、孙平、易阳
杨修林
Yang Xiulin
中国 china
男,汉族,1958年9月生,铜仁市人,1990年毕业于中央美术学院版画系,国家二级美术师,中国美术家协会会员,中国版画家协会会员,贵州美协理事黑婧环 ,贵州画院特邀画家,铜仁地区美协主席、九三学社铜仁市委社员,铜仁地区文联《梵净山》编辑部主任。
Male, Han nationality, born onSeptember 1958, born in Tongren, graduated from the Department of print of theCentral Academy of Fine Arts in 1990. National second Class Artist, member ofChina artists Association, member of China Printer Association, member ofGuizhou Art Association, specially invited painter of Guizhou Academy of FineArts, Chairman of Tongren area Art Association, member of Tongren MunicipalCommittee of Jiusan School, Director of editorial Department of TongrenDistrict Art Federation [Fanjingshan]

乌江上的云朵
Cloudson the Wujiang River
套色木刻colouredwoodcut




印象苗王城组画
ImpressionMiao Wang City(a suite ofpaintings)
套色木刻colouredwoodcut

庾武锋
Yu Wufeng
中国china
女,1978年生于苏州,毕业于南京艺术学院美术学院版画专业,获学士、硕士学位。中国美术家协会会员,江苏省美术家协会版画艺委会委员,苏州市美术家协会理事,苏州市美术家协会版画艺委会副主任。苏州市公共文化中心·苏州版画院专职画家,国家二级美术师。作品曾获第十二届全国美术作品展览获奖提名作品、入选第十一届全国美术作品展览,并多次被深圳美术馆、浙江美术馆、江苏省美术馆、苏州美术馆等公共机构及私人收藏。
Female, born in Suzhou in1978柯受良葬礼, graduated from Nanjing Academy of Art, majoring in print, obtainedBachelor's and Master's degree, member of China artists Association, member ofJiangsu artists Association's printmaking Arts Committee末世小地主 , and director ofSuzhou artists' Association. Deputy Director of the Art Committee of Suzhouartists Association, Suzhou Public Culture Center, Suzhou Printmaking Academy,National second Class Artist. His works have been nominated for the 12thNational Art Exhibition. Selected to the 11th National Art Exhibition, and hasbeen the Shenzhen Art Museum, Zhejiang Art Museum, Jiangsu Art Museum, SuzhouArt Museum and other public institutions and private collections.

守望
Keep watch
木刻Woodcut

秋阳杲杲The bright sun inautumn
木刻Woodcut

sujin shin
苏锦·实
韩国Korea
sujin shin, 1972年生于韩国首尔,美国威斯康辛州立大学麦迪逊分校版画硕士,首尔国立大学博士宋留根 ,曾经在韩国,日本,美国等多个国家举办个展,并在首尔国立大学,韩国大学等学校任教。
Born in Seoul in1972, Sujin Shin received a PhD in Fine Arts fromSeoul National University, Korea and MFA in printmaking from the University ofWisconsin-Madison, U.S.A. She had soloexhibitions in Seoul (Korea)口袋少女 , Tokyo (Japan), and aroundthe United States. She teaches at Seoul National University and Korea University.
.


环(橙色)
Circulation (orange)
铜版
etching

吴杰
Wu Jie
中国 china
1990年出生于上海,2016 年毕业于上海大学美术学院版画系。
参展经历
2012 第十届上海版画展
2013 Chinese ContemporaryPrintmaking from Shanghai“上海的中国当代版画”展
(奥地利 维也纳)
2014、2015 上海版画年度精选展 (上海图书馆名人手稿馆 参展并收藏)
2015 《初寻》吴杰版画作品展
2015 第五届当代学院版画展 获一等奖
Born in Shanghai in 1990,Graduated from the School of FineArts, Shanghai University in 2016
Participation experience:
2012 The 10th Shanghai printmaking exhibition
2013 Chinese Contemporary Printmaking from Shanghai
2014、2015Shanghai prints annual exhibition
2015 "Initial Exploration" Wu Jie printmaking exhibition
2015 The 5th contemporary collegeprintmaking exhibition

《夜·春雨》 night·spring rain
木版 Woodcut

《夜.明》 night· bright
木版 Woodcut

孙平
Sun Ping
中国 China
毕业于上海交通大学。中国美术家协会会员藁城人吧 ,中国摄影家协会会员。
Graduated from Shanghai JiaotongUniversity. Member of Chinese artists Association. Members of the ChinesePhotographers Association

作品11-02
Works11-02
数码版Digital edition printing

作品13-04
Works13-04
综合版 mixed media

易阳
Yi Yang
中国China
1968年生。1990年毕业于华中师范大学美术系,2003-2004年就读于中央美术学院版画系研究生课程班。2006-2009年于华中师范大学文学院文艺学博士研究生毕业。现任中国美术家协会藏书票研究会副主席、中国美术家协会会员、湖北省美术家协会版画艺委会委员、华中师范大学美术学院教授、院系主任、硕士研究生导师。
born, in Wuhan City, China
Education:
2006-2009 Ph. D, Doctor of Literature,Central China Normal University, College of Liberal Arts, Wu-Han , China
Related experiance:
Member, Chinese Artists Association
Vice-President, Chinese ArtistsAssociation of Exlibris
Member, Printmarking Committee of HubeiArtists Association
Artist in Residence, Hubei Museum ofArt, Wuhan , China
Relevant Employment:
Professor in School of Fine Arts ofCentral China Normal University, WuHan ,China
Director of Painting Workshop and EtchingWorkshop, Central China NormalUniversity ,Wuhan ,China
Tutor of Graduate Students, CentralChina Normal University ,Wuhan ,China

江南周庄
Jiangnan Zhouzhuang
铜版画intaglio etching

光之谱系之二
The second pedigree of light
铜版画intaglio etching
参展艺术家(排名不分先后):辛西娅?富西洛Cynthia Fusillo、毕炜Bi Wei、陈晓云Chen Xiaoyun、蔡醒善Cai Xingshan、曾健Zeng Jian、堤明香AsukaTsutsumi、付河江Fu Hejiang、李言波LiYanbo、李雯Li Wen、贾玉飞Jia Yufei、卡尔?尼尔森KarlNelson、蔡鸿君CaiHongjun、曾雷Zeng Lei、何伟He Wei、郭梦迪Guo Mengdi、吉鸿盛JiHongshen、钱钢Qian Gang、卢治平Luzhiping、斯考特?艾斯浦塞斯、Scott Espeseth、顾萍萍Gu Pingping、葛洪波GeHongbo、扈金娥Hu Jine、刘丽娟LiuLijuan、戎凯Rong Kai/中国China、宋皚柔Sung Oi Yau、赵永泉ZhaoYongquan、王恩超Wang Enchao、艺金?凯穆YijinKim、刘蔚群Liu Weiqun、廖扬LiaoYang、刘祥顺Liu Xiangshun、刘毅Liu Yi、龙凯Long Kai、蒙希平Meng Xiping、倪建明NiJianming、秦屹Qin Yi、桑茂林SangMaolin、苏岩声Su Yansheng、西莫娜?普丽薇SimonaPrives、权弘毅Quan Hongyi、苏迎春SuYingchun、王凤发Wang Fengfa、王宏卫WangHongwei、徐龙宝Xu Longbao、谭行健TanXingjian、商晏铭Shang Yanming、徐银东Xu Yindong、徐青Xu Qing、杨修林YangXiulin、庾武锋Yu Wufeng/中国China、苏锦?曦Sujin Shin、吴杰Wu Jie、孙平Sun Ping、易阳Yi Yang、阴佳Yin Jia、孙勇Sun Yong、徐巍Xu Wei、戴安娜?殷祝平 艾彻Diana Eicher、熊友飞XiongYoufei、徐增英Xu Zengying、周国斌ZhouGuobin、沐冉(徐睿志)Muran、章愳Zhang Ju、周蕴智Zhou Yunzhi、邹向群ZouXiangqun、饶祇豪Yow Chee Hoe

上海思博学院皋玉蒂院长主持开幕式
前言
2017年上海国际版画展的主题确定为“容量与张力”,主展场在中华艺术宫,由之前几届版画展览“观城”、“阅人”等更为关注人文社会等外部主题,转向关注版画本体特质在当代语境下的发展和转型。上海思博学院主办的上海国际版画展延伸性的外围展同期展出,也可看作是“容量与张力”这一主题的另一种呈现。
Forewords
Shanghai International PrintmakingExhibition 2017, with its theme“Capacity & Tension” opens at China ArtMuseum. The previous themes “Watching Cities”,“Reading People”, concerning moreabout humanistic and social topics havetransformed into printmaking art itself in the present context. Shanghai SIPO Polytechnic hosting the parallelexhibition can also be seen as a presentation of this theme.

中国美术家协会版画艺术委员会副主任张敏杰教授致词

上海美术家协会版画艺术委员会主任卢治平教授致词
版画伴随着印刷术的诞生源于中国,上世纪二三十年代鲁迅先生在上海倡导的新兴木刻运动开启了中国美术的现代化之路。回顾版画艺术发展随着文化科技的进步由最初的凸版发展成凹版、平版、孔版成为与时俱进俱进的艺术形式。版画形而下的形态与设计、传播、复制紧紧相连在实用的语境中渗透于普罗大众的生活;版画形而上的形态又与艺术家的精神意念紧密相连在哲思中铸就象牙塔中的高冷。
Printmaking art was born inChinawith typology. In 1920s and1930s,the famous writer Lu Xun initiated“New Woodcut Champaign” in Shanghai and debutthe modernization of China Fine Art. Withthe advancement of technologies, printmaking art has transformed from anastaticprinting to intaglio printing, planographic printing and porous printing. Theform, design, transmission, replication of this art is closely linked withlives of ordinary people. The form of this art is tightly connected with the philosophicalthinking of artists, like the coldness in the ivory pagoda.
“艺术死了”,“我们这个世界会更好吗”参加此次外围展的中外艺术家的作品在各自生活体验中对上述语境进行了探讨,在技法运用上既有传统的凸、凹、平、孔四大传统的版种运用,又有拼贴、数码等技术的介入。在当代艺术的解读中鉴赏与创作是平行的,想必每个观众都会根据自己的生活阅历得出仁者见仁,智者见智的答案。
“Art is dead” “Will our world become better?” This time our home and abroad artists discussthese topics in their works through their life experiences. Apart from fourtraditional printing techniques, i.e. anastatic , intaglio , planographic andporous printing, these works also uses collage and digital techniques. In contemporaryworld, art connoisseurship is parallel to art creation. Therefore, everyone willhave his answer with his own life experiences.

中国国家画院研究员张远帆教授、日本艺术家竹内健太先生观展

皋玉蒂院长与卢治平教授交谈

艺术家代表Eric Saline致词
新书推荐
书名:2017上海国际版画展外围展暨当代版画与设计论坛论文作品集
主编:皋玉蒂徐增英
出版单位:中国海洋大学出版社
出版时间:2018年5月
I S B N:978-7-5670-1777-1
征订电话:021-51085016





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